Wild Watery Heart of the City

by Rose Rushe

John Collins before a triptych in oils at Bourn Vincent Gallery, UL Photo: Brian Arthur/ Press 22
John Collins before a triptych in oils at Bourn Vincent Gallery, UL
Photo: Brian Arthur/ Press 22

LIMERICK City of Culture funded significant visual art projects that came to light in December 2014, closing out but not down a driven year. There was the portrait video projection โ€˜LANDLOCKEDโ€™ at Thomas Street community gardens and then, John Collinsโ€™ show of oils, his visual response to what has to be the cityโ€™s signature play, โ€˜Pigtownโ€™.

These followed on from other synergies between community, artist and the environment such as Limerick Lanes that are alive with vitality and stories; โ€˜Draw Outโ€™ by Urban Exhibitionists, transforming public disused spaces; and โ€˜Our Nationsโ€™ Sonsโ€™, the 115โ€™ high black and white portraits created by school going students with national scheme leader Joe Caslin.

Ongoing until February at Bourn Vincent in UL is โ€˜Wild Watery Heart of the Cityโ€™ by the County Limerick artist John Collins. Created in response to Mike Finnโ€™s play โ€˜Pigtownโ€™ which was staged by Island Theatre Company first in 1999, there are 22 oil on canvas/ board works inspired by scenes and lines from the play – such as โ€œThere are Parts of This Town Where the Light Never Shinesโ€.

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Collins is opictured in front of โ€˜Makinโ€™ a Musical Commotion Up anโ€™ Down the Yella Roadโ€™, referencing the Boherbuoy (yellow road = Burma road) Brass Band out on parade, according to Finn in his opening night address.