Ireland through The Parting Glass

LOTS of things twin between the life Ray Yeates, director of axis:Ballymun theatre company, and that of the fictional character of Eoin in โ€˜The Parting Glassโ€™, Dermot Bolgerโ€™s play. The Ballymun based theatre company brings โ€˜The Parting Glassโ€™ to Belltable on Wednesday June 8 andย  Thursday 9 as part of its national tour, this one-man show having wowed Dublin audiences and a New York festival.

Back on stage after years of directing and teaching, Ray Yeates took to the role of Eoin created by his old mucker, Bolger.
โ€œI had lived in the New York through the 1990s, acting and teaching, and came back to Dublin in 1999,โ€ Yeates tells Arts page. โ€œAppointed to axis:Ballymun as director, with Dermot I staged his Ballymun trilogy and another play of his,ย  โ€˜Walking the Roadโ€™, based in Flandersโ€™ Ypres on the life of the Irish war poet, Francis Ledwidge. I also directed โ€˜In High Germanโ€™, Dermotโ€™s prequel to The Parting Glass, although โ€˜The Parting Glassโ€™ stands entirely on its ownโ€.
Much to do so with his native Dublin and the familiar playwright, but other links were right for this theatre directorโ€™s step back onto stage. โ€œThatโ€™s a big move for any director, not least one who is director of the producing theatre companyโ€.
Mark Oโ€™Brien, who is axisโ€™ arts development manager, took charge of โ€˜The Parting Glassโ€™ and with sell out runs in Everyman Theatre, in Dublin, in Castlebar, Yeates can say truthfully: โ€œIt is unusual for the audience not to stand at the endโ€.
His one-man turn embraces 14 characters as Eoin arrives at Dublin airport following his trip to South of France for the World Cup 2010 match, in which Thierry Henry scuppered Irelandโ€™s chances outrageously.
โ€œAt this stage in his return to Ireland with his German wife and child after years in Germany, Eoin has lost his job and lost his money. Heโ€™s trying to figure it all out and although it sounds morbid, the play is incredibly funny and very moving. He looks back to a moment in France and remembers what he felt then, what it feels like to be happy. Eoin is at half time in his life, realising that at 50, there is extra time aheadโ€.
A connection through past students of Ray Yeates at NYโ€™s American Academy of Dramatic Arts secured โ€˜A Parting Glassโ€™ for an experimental festival there, โ€˜Off Broadway Undergroundzeroโ€™, where it was received as the festivalโ€™s โ€œmost affecting workโ€.
He speaks of huge involvement on the part of the audience during the show, although it is silent, as Eoinโ€™s travails with the banks, with the cityโ€™s changed scene, with disappointment are negotiated.
โ€œYet itโ€™s not about Dublin, or being Irish or male. It is a universal story – sometimes the more particular a story is, the more universal it is. Even in New York, they knew โ€˜The Parting Glassโ€™ was the real thingโ€.
Belltableย  Arts Centre, Wednesday June 8, Thursday 9, 8pm.

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