Canada’s Theatre de la Pire Espece probes the American dream

Last year's UBU on the Table, planning inter-state manoeuvres
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IT IS the nature of theatre to beย  a political forum, be that comedy of manners, a treatment of ร‰ire or Punch & Judy. Combine that adult intelligence with โ€˜object theatreโ€™ to elevate the medium with inventive moves and arrive at Theatre de la Pire Especeโ€™s mission.

This prestigious Canadian companyย returns to Belltable after 12 months on Thursday February 1, 8pm with โ€˜Short Formsโ€™, a trilogy of works told with stuff. This is preceded by masterclass for the Belltable:Connect programme for theatre makers, its shows gaining international traction.

The venueโ€™s Gill Fentonย  anticipates โ€œminimalist staging revealing three great journeys in 30 minutes each. These are โ€˜Dolls, Size and Hierarchyโ€™, โ€˜The Continuing Story of Jimmy Jones and his Heavenly Truckโ€™ and โ€˜Anathemaโ€™.โ€

On the German leg of a tour, co-director Francis Monty speaks of stories based on an America that is mythological.

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Their chosen tools for โ€˜Dollsโ€™ are Russian puppets, and for โ€˜Anathemaโ€™, derived from a Raymond Carver poem, โ€œwe use a 3D puzzle that is for children. We tell that short poem only working with pieces of the puzzle for imagery.

โ€œFor the last piece (Jimmy Jones) we use different objects, mainly carsโ€.

To elaborate on the Short Forms: for ‘Dolls’, aย child questions the hierarchical order of its large family and its own rank in it. How does size influence each role?

‘The Continuing Story’ is set in a mythical America. Jimmy Jones reveals the stories and disappointments of his father in the middle of cornfields and legends.

‘Anathema’ is based on Raymond Carverโ€™s poem, proposing a metaphor about the ravages of alcohol and the illusion of the American dream.

www.limetreetheatre.ie