‘Bumblebee’ film review

THE โ€˜Transformersโ€™ย movies have been pretty awful up to this point.

Nothing but big clunky metallic wrecks that have plodded along aimlessly for three mind-bending hours. And Michael Bay painting pretty cheerleaders orange or deafening us with thundering boomy explosions in the hope of distracting us from these odious prog-rock behemoths was never going to cut it.

So the punk rock immediacy of โ€˜Bumblebeeโ€™ comes as a breath of fresh air. It is true to the legacy of the original toy-based cartoons, bursts with big generous heart and unlike its predecessors, has a beginning, middle and end.

Making it even more likeable, director Travis Knight has also looked to the master of eighties kiddy capers โ€“ Steven Spielberg, who is executive producer here, to create a nostalgic throwback to such classics as โ€˜E.T.โ€™ย andย โ€˜The Gooniesโ€™.

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There is so much to love.

โ€˜Bumblebeeโ€™ succeeds where all other โ€˜Transformerโ€™ movies have failed. It is fun, entertaining and you are unlikely to suffer tinnitus by filmโ€™s end.

Sure, John Cena proves more cumbersome than the Decepticons, and if possible, even more wooden than Shia LeBeouf and Mark Wahlberg combined. But thatโ€™s a small price to pay for a real family treat, brimming over with such warmth and spirit. The eighties soundtrack isnโ€™t half bad either.

This is the โ€˜Transformersโ€˜ movie we always hoped for, and then some.