Clodagh Corona and the cosmopolis of Tralee

Judith Ryan brings intensity to the challenge of Microdisney
Advertisement

THE official prelude to the one-woman play โ€˜Microdisneyโ€™, opening Thursday March 1 for three nights at Belltable is: โ€œVamoosed from the place where sheโ€™s been cocooned for many years, Microdisney begins one day when Clodagh Corona, barefooted, returns to the โ€˜cosmopolisโ€™ of Tralee she once called home.โ€

The language is that of playwright/ director Neil Flynn, a Tralee based writer rooted in theatre, film and TV. With Knight Hall Agency in London, Flynnโ€™s skill with a pen and on stage won โ€˜Microdisneyโ€™ the Belltable:Connect award worth โ‚ฌ6,500 at the inaugural Limerick Fringe Festival a year ago.

This awardโ€™s support is sourced in professional development, offering rehearsal space, performance space, a technical team, box office and marketing to a show hitherto unknown but that fared brilliantly against Fringeโ€™s 30-something acts.

Two years ago, by way of introduction through former Belltable and Siamsa head Karl Wallace, actress Judith Ryan found herself reading a โ€˜Hot Houseโ€™ 25-minute monologue by the playwright for Siamsa Theatre. Called โ€˜White Rabbitโ€™, โ€œit was the seed of Microdisney,โ€ explains Ryan. โ€œNeil went away and developed it full length.โ€

Advertisement

So the actress, herself a Tralee woman with an interesting latent vocation as veterinary nurse, finds herself on stage each night in this consuming journey of the mind and past through her home town.

โ€œIt is the story of a woman who would be that bit different, quirky, telling the story of her life. The piece speaks a lot about different things and without hitting you over the head with them. It is subtly written. The woman Clodagh escapes from a psych ward and makes her way through the town of Tralee.โ€

That her escapade is locked into known geography is foil to the fantastical flight towards โ€˜white rabbitsโ€™ โ€œand the language is very much its own – poetic, lyrical, local, idiomatic. It is earthy and groundedโ€ in an elemental way, keening with the ocean, the lick of bracing wind and… a past invoked.

Her adventure is divided into 10 fragments and No. 9 is a collision wave.

โ€œโ€˜Microdisneyโ€™ is quite dark and so is life,โ€ Judith Ryan says with a grin. โ€œThereโ€™s humour in itโ€.

She speaks of the sheer physicality demanded of her by this part, โ€œThere is an awful lot of movement in it and the use of different voice pitches. The work is as technical as it is emotional.โ€

Catch this intriguing premier on the professional stage and hub that is Belltable, March 1 to 3 at 8pm, booking on www.limetreetheatre.ie