
THE official prelude to the one-woman play โMicrodisneyโ, opening Thursday March 1 for three nights at Belltable is: โVamoosed from the place where sheโs been cocooned for many years, Microdisney begins one day when Clodagh Corona, barefooted, returns to the โcosmopolisโ of Tralee she once called home.โ
The language is that of playwright/ director Neil Flynn, a Tralee based writer rooted in theatre, film and TV. With Knight Hall Agency in London, Flynnโs skill with a pen and on stage won โMicrodisneyโ the Belltable:Connect award worth โฌ6,500 at the inaugural Limerick Fringe Festival a year ago.
This awardโs support is sourced in professional development, offering rehearsal space, performance space, a technical team, box office and marketing to a show hitherto unknown but that fared brilliantly against Fringeโs 30-something acts.
Two years ago, by way of introduction through former Belltable and Siamsa head Karl Wallace, actress Judith Ryan found herself reading a โHot Houseโ 25-minute monologue by the playwright for Siamsa Theatre. Called โWhite Rabbitโ, โit was the seed of Microdisney,โ explains Ryan. โNeil went away and developed it full length.โ
So the actress, herself a Tralee woman with an interesting latent vocation as veterinary nurse, finds herself on stage each night in this consuming journey of the mind and past through her home town.
โIt is the story of a woman who would be that bit different, quirky, telling the story of her life. The piece speaks a lot about different things and without hitting you over the head with them. It is subtly written. The woman Clodagh escapes from a psych ward and makes her way through the town of Tralee.โ
That her escapade is locked into known geography is foil to the fantastical flight towards โwhite rabbitsโ โand the language is very much its own – poetic, lyrical, local, idiomatic. It is earthy and groundedโ in an elemental way, keening with the ocean, the lick of bracing wind and… a past invoked.
Her adventure is divided into 10 fragments and No. 9 is a collision wave.
โโMicrodisneyโ is quite dark and so is life,โ Judith Ryan says with a grin. โThereโs humour in itโ.
She speaks of the sheer physicality demanded of her by this part, โThere is an awful lot of movement in it and the use of different voice pitches. The work is as technical as it is emotional.โ
Catch this intriguing premier on the professional stage and hub that is Belltable, March 1 to 3 at 8pm, booking on www.limetreetheatre.ie