Deep-diving into Oneday’s news

Book at venue manager www.limetreetheatre.ie

DUBLIN Fringeโ€™s annual festival is a hotbed of circus, cabaret, music, comedy, spoken word, even culinary art, with numerous international shows platforming.ย Last year, โ€˜Onedayโ€™ was nominated twice, for Best Production and for Best Performer, actor Shane Connolly.

โ€˜Onedayโ€™ comes to Limerickโ€™s Belltable this Thursday 12 at 8pm for one day only, exploring in a theatrical manner the worldโ€™s print-mediaโ€™s stories on a particular date, March 13 of 2012. How many stories? About 4 million were published thenย but writer/ director Richard Walsh whittled the count down to create manageable substance for this thought-provoking play.

Left, Richard Walsh, Brian Walsh, Shane Connolly in ‘Oneday’.

Three people are on stage. Walsh is director/ narrator; Shane Connolly is the performer; Brian Walsh is aย  drummer. We look at how the concept of โ€˜Onedayโ€™ originated, the exploration of multiple journalistic perspectives on the same international events.

โ€œA little bit of it came about through the Occupy movement, as in Occupy Galway, Occupy Munich, the passive social protest that arose. People didnโ€™t know what was going on in the world, crises such as banking and Afghanistan,โ€ Richard Walsh explains. ย โ€œWe trusted in authority. From a political stance we were disempowered by being told that we didnโ€™t understand, ย for example, the economy and its wonks.

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โ€œSo what if we took one day to fully understand one dayโ€™s events and what that means?โ€

Working together, โ€œwe read thousands of articles from March 13 and did a lot of research. The stories were quite heavy hitting, such as Afghanistan, Syria, the economic situation, the bailout of Spain and PIGS. We did a deep-dive in order to understand the bailout.โ€

The news articles are treated as play scripts, and early in the game, stories from the Limerick Post and Limerick Leader concerning 2012 are used to orient the audience.

โ€œโ€˜Onedayโ€™ the play is like the journey to coming to terms with the news and the vast amount of information that is issued, 4 million print-media articles alone.โ€

Essentially, the challenge posed to us, the fourth wall, is โ€œifย knowledge is power, then why do we now, with more access than ever before to information, feel less in control?โ€

The role of media โ€“ the fourth estate โ€“ and what and who are the power brokers of nations and the dissemination of information/ misinformation is explored playfully, โ€œexamining our unravelling and chaotic relationship with the news.โ€