THE Irish Chamber Orchestra (ICO) is set to reunite with world-renowned pianist Kristian Bezuidenhout for the next chapter in his acclaimed Beethoven Piano Concerto cycle.
A trio of electrifying performances is scheduled for University Concert Hall, Limerick (June 19), Siamsa Tíre, Tralee (June 20), and The Whyte Recital Hall, Dublin (June 21), promising a musical journey that fans of Beethoven will not want to miss.
Bezuidenhout, currently ICO’s Associate Artist, makes his eagerly anticipated return for his third collaboration with the orchestra. Known for his historically informed approach, expressive depth, and profound musicality, Bezuidenhout is celebrated for breathing fresh life into classical masterpieces. His previous appearances with the ICO were lauded for their bold interpretation and emotional insight.
This summer’s concerts will feature Beethoven’s Piano Concertos Nos. 2 and 4—two landmark works that capture the composer’s youthful exuberance and growing emotional maturity. These pieces follow last year’s successful performances of Concertos Nos. 1 and 3, which received glowing praise for their energy and nuance.
Enjoy Beethoven’s breezy Piano Concerto No. 2 as it sparkles with youthful charm and wit. Hear a young composer, playfully stretching his wings and not yet burdened by the weight of the world. Revel in the playful interchange between Kristian and ICO, full of energy that will stir the soul.
His illuminating Concerto No. 4 brings a profound sense of joy. Feel the intimacy and emotion in the tender start as the piano speaks softly to the orchestra. Revel in the serene, almost spiritual warmth throughout before soaring with the music to a radiant finale.
These concerts are more than just performances—they are a rare opportunity to experience the full emotional spectrum of Beethoven’s genius, brought to life by one of the most compelling pianists of our time.
Whether you’re a lifelong classical aficionado or new to Beethoven’s world, this unmissable series promises to delight, inspire, and move.
